This film looks and feels like a Japanese production. Many of the techniques are lifted directly from Japanese cinema so, right from the get-go, it surprises by being a French director and screenwriter in a majorly European production with support from France’s Canal+, Italy’s Rai Uno and several other countries’ involvement. Given the subject matter,Continue reading “Review: Onoda: 10,000 nights in the Jungle, dir. Arthur Harari, 2021”